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What I Learned About The Jonestown Cult By Spending Time With Survivors

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Above the stage where the Reverend Jim Jones addressed over 900 members of the Peoples Temple church for the final time, compelling them to leave behind the conditions of an inhumane world and commit 'revolutionary suicide', there hung a sign reading: "Those who do not remember the past are condemned to repeat it." Attributed to philosopher George Santayana, this quote serves as a warning to human beings not to overestimate our separation from past atrocities, and can be found (in a slightly altered form) inscribed on a plaque at Auschwitz. For many who witnessed the 1978 media coverage of the Jonestown massacre, though, the quote became inseparable from images captured in the aftermath of the tragedy: the vat of cyanide-laced fruit punch, the strewn paper cups and syringes, the bodies left to bloat in the heat of a remote jungle in Guyana.

These are memorable images. Unforgettable, even. But what have we learned from them?

In the spring of 2015, I travelled to the US as research for my novel Beautiful Revolutionary – a work of fiction that was largely inspired by my desire to understand how the Jonestown massacre could have happened. I spent time in California speaking with survivors, and others whose lives were touched by the tragedy through the loss of loved ones. I scrutinised archival documents, photographs and recordings, searching for long-dead people. Before I could begin to understand why they died, it was necessary to understand how they lived and what they believed in.

Peoples Temple didn’t begin in Jonestown, nor did it begin by espousing 'revolutionary suicide'. The church was established in 1950s Indiana and promoted equality (particularly racial equality) and service of one’s fellow human beings as Christian principles. In the 1960s, Peoples Temple relocated to California, where it expanded and redefined itself as a more outwardly socialist, revolutionary organisation. By the late 1970s, Peoples Temple was an active force within San Francisco’s political left. It came under fire following allegations from former members about abusive practices within the church and the declining sanity of leader Jim Jones. This prompted a 1977 mass exodus to Jonestown, the Temple’s agricultural settlement in Guyana.

The people of Peoples Temple weren’t blind to history. If anything, they were more aware of it than most. Records were kept. Sermons and public meetings were regularly taped. One Jonestown schoolteacher, Edith Roller, kept a diary at the encouragement of Jones. Another, Dick Tropp, was apparently working on a book. Listen to the tapes recovered by the FBI after the massacre and you’ll hear references to wars, genocides, enslavements and sieges, from biblical times to the present day. There’s even a tape where Jones mentions contemporaneous cult the Manson family, and discourages members from referring to the Temple as a 'family'.

Then there are the chilling words Jones utters on the 'Jonestown Death Tape', recorded as the people of Jonestown are dying:

"…what a legacy, what a legacy."

These are the words of a man who wanted to go down in history – and he has, as a mass murderer. This isn’t unjust. Other things, though, have been misremembered or distorted in our eagerness to separate ourselves from the atrocity of what happened in Jonestown, and to convince ourselves that it could never happen to us.

There are a lot of Jim Jones memes on the internet, many of which have to do with 'punchlines' or being thirsty. Humour is a pretty good defence mechanism. So is disassociation.

One meme that’s regularly shared by self-proclaimed atheists and freethinkers features Jim Jones at a pulpit, along with the words: "This Christian killed 911 people and nobody blamed Christianity." The problem with this? There’s a lot of evidence that Jim Jones was actually an atheist.

Sure, he was a reverend. He performed faith healings, sometimes wore clerical robes, sometimes quoted the bible. But he also regularly declaimed 'sky gods', was witnessed throwing the bible on the ground and was said to have encouraged his followers to use its pages as toilet paper. On one tape, Jones confesses to infiltrating the church as a way of better spreading the message of Marxism.

Although many members of Peoples Temple were Christians, many (particularly those in leadership positions) were not. They were a diverse group. Neither Christianity nor Marxism nor any other belief system alone was responsible for the massacre, or can be blamed for all the massacres of the past. Power, and the abuse of power, comes in many different cloaks.

Which leaves us with something messier than a single belief system: people.

I don’t just mean Jim Jones. I mean the people who obeyed his orders – and in some cases, implemented them. They weren’t merely brainwashed cultists or bodies standing in line. They were people, who left behind voice recordings, diary entries, letters and memos, through which aspects of their individual histories can be discerned.

There are many reasons why a person might join a movement like Peoples Temple. We join because we want to be part of something. Because we’re dissatisfied with the world around us and want to change it. Because we want a better life. Because we want to believe in something, anything. Because we’re lonely. Because we’re hungry. Because we’re in love. Because the people are friendly. Because it seems like a cool place.

The reasons why people stay are also recognisable; the same reasons we might stay in bad jobs or bad relationships. Inertia. Financial dependence. Peer pressure. Cynicism about whether we have better options. Fear of retaliation from those we’re leaving. Fear of what we’ll lose, in leaving them behind. The hope that things will get better if we just work hard enough, put up with the bad stuff a bit longer.

It’s hard to know when is the right time to leave. It’s also hard to know if history will repeat itself when we’re in the midst of it. If there’s one thing Jonestown can teach us, though, it’s that we all have vulnerabilities that can be exploited by the wrong kind of person. Vulnerability is human. There’s no strength in denying this. The best thing we can do is remember.

Beautiful Revolutionary by Laura Elizabeth Woollett is out now, published by Scribe UK.

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Why We're All Obsessed With Our Exes These Days

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There’s a new type of dating show in town. Forget Take Me Out and First Dates – we’ve had enough of mercilessly shoving total strangers together, covering our eyes at cringey dinners for two, and shrieking through the screen at badly matched blind dates. Instead, these new programmes bring up an all too familiar conundrum for singles. Are our exes really exes for a reason?

Back with the Ex on Netflix and Eating with my Ex on BBC Three seem to think not. They’ve gone so far as bringing past partners back together to test whether a reunion might be on the table.

Back with the Ex goes in all guns blazing, moving former flings separated for up to 20 years into each other’s homes. Eating with my Ex gives its past paramours an easier get-out, reuniting them for just one meal and throwing some awkward questions into the mix. Big blow-outs and tears in various British high street restaurant chains ensue. It’s enough to have you asking for the bill.

Like any good dating show devotee, I was hooked on both series from the opening credits. The drama! The backstories! The bit when lovely Lauren revealed that evil Erik gave her $10,000 to try to convince her to get a boob job! I rooted for the couples whom time and distance had torn apart, and rolled my eyes at those who had enjoyed little more than a month-long shagathon before staging a drunken break-up in a seedy nightclub. These couples were real, with a genuine joint past and often a whole life together that had taken place long before the cameras started rolling. There was something immensely powerful about that.

Inevitably these shows also caused my mind to meander over details of my past relationships. Which of my exes would I want to grill over a Gourmet Burger Kitchen milkshake for two? Would I succumb to the charms of a lapsed cuffing season sweetheart if we were whisked away on a romantic safari, or would I be packing my bags faster than you can say "No, you were the worst at texting back!"?

Back With The Ex.Courtesy of Netflix.

Although it would realistically take more than a dating show to convince me to reunite with any of my exes, it seems that I’m not alone in dwelling on my dating history. One survey showed that almost half of online daters have had a partner beg for them back after a break-up. What is it about our bygone baes that keeps us coming back for more?

"Relationship endings generate really fundamental questions about ourselves, what it is about ourselves that is rejectable, that can’t love or that cannot be loved," says psychotherapist Denise Dunne. "The fantasy of reuniting with an ex is that we will have access to the answers or, even better, we can undo the questions by making ourselves loved again."

The rise of social media means these questions can stay at the forefront of our mind long after a break-up. Perhaps you’ve stayed Facebook friends with a former flame or maybe you need to do a spot of furtive Instagram stalking to find out what your past romantic prospects are up to. Either way, our exes are always just a click away and it can be difficult to move on if your digital paths are constantly crossing.

"Social media can without doubt make working through a break-up much harder," says Dunne. "In the offline world [seeing what an ex is up to is a] logistically more difficult if not dubious pursuit, but in the online world of acceptable cyberstalking, it can be really tempting, seemingly harmless, and maybe even at times unavoidable to have a look at their pictures."

If the lure of bae’s beach snaps wasn’t enough, then there’s an even more compelling reason to send a sneaky late-night "WYD?" text.

"The current dating landscape has so many options," says relationship and technology expert Michelle Drouin. "You can swipe through hundreds of potential dating partners in minutes. But having too many options can be overwhelming, and people also may have doubts about the authenticity of the strangers they meet online. With an ex, you know what you are going to get. It's familiar territory, and you don't have to fear that the person showing up to meet you is entirely different than their online profile."

With a rising number of singletons feeling burnt out by modern dating, the familiar rhythms of a past relationship may have a shiny new appeal. And it’s hardly surprising – one study into dating app Hinge found that 81% of users had never found a long-term relationship on an app, 54% of users felt lonely after a swiping session, and only one in 500 swipes led to phone numbers being exchanged. That’s a lot of time engaging in the same old Tinder small talk for very little return.

"The back and forth messages about the same subjects – 'Hey, how are things?' or 'Tell me where you see yourself in five years' – may feel like a never-ending merry-go-round of small talk and superficiality," explains Drouin. "Sometimes, people want to feel safe, cared for, and engaged in deeper conversations. Exes provide that kind of stability. You know them – you can skip the small talk and slide right back into a comfortable place of intimacy."

Eating With My Ex.Courtesy of BBC.

"In our consulting rooms, clients complain that quite quickly online dates can feel like the same conversation on repeat, and they can get bored and frustrated by the lack of chemistry," agrees Dunne. "Together with our natural propensity to idealise a former relationship when we are feeling lonely, you can see how it’s possible that the online dating experience and our desire for intimate attachment might steer us back to seeking the arms of an ex."

When the exes of Back With the Ex and Eating With My Ex sit down to confront their past, there is almost always an undeniable authenticity and connection. In a world where real intimacy is increasingly hard to come by, it seems that seeing this on screen has viewers hooked.

So if you’ve had one soulless swipe session too many, and the idea of exes reuniting has you reaching for the remote, then just one question remains: Should you ever get back with an ex?

"Sometimes people break up over silly issues, and sometimes time heals wounds," says Drouin. "However, if you really believe in the reasons you split, and you know that this person is not really the one for you, don't be tempted by the easy intimacy. Get back out there, and find someone you don't ever want to break up with."

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19 Beauty Products Used At London Fashion Week – All Under £10

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Illamasqua, NARS, ghd... There are beauty brands you'll always spot in the kits of industry professionals while backstage at Fashion Week. There's a reason why they are beloved by the likes of Guido Palau and Val Garland: the shade ranges are impressive, the formulas are on point and more importantly, the products – from foundation to liquid liner and hairspray – have the ability to last through sweaty backstage conditions, bright lights and hours on the catwalk.

But if we've learned anything from snooping behind the scenes, it's that you don't have to spend a fortune to achieve model-worthy skin, hair and makeup. Ahead, find all the bargain beauty products and tools we spotted the pros using at LFW AW19, all under £10.

Spied backstage at Richard Malone, Mario Badescu's cult facial mist drenches skin in dewy moisture, making it the perfect precursor to foundation, and alleviates any tautness with aloe vera.



Mario Badescu Facial Spray With Aloe Herbs And Rosewater 118ml, $7, available at Beauty Bay

Depending on the look, artists apply foundation with both their hands and makeup brushes, so sanitiser is necessary. Spotted in makeup artist Pablo Rodriguez 's kit, this eliminates bacteria without stripping skin. Plus, it smells great.



Dr. Bronner's Organic Hand Sanitiser, $4.99, available at Dr. Bronner's

As seen backstage at JW Anderson, these soft, skin-friendly wipes are great at whipping off makeup and starting again when you've made a mistake.



Kiko Cosmetics Pure Clean Wipes, $5.99, available at Kiko Milano

We eyed up this lash glue at Richard Malone but it's used by makeup artists all over the globe. It adheres false lashes gently and allows for speedy, painless removal at the end of the day.



Duo Striplash Eyelash Glue Clear White 7g, $5.79, available at Superdrug

Hair at Pam Hogg was all about the drama, so lashings of shine spray was non-negotiable. This imparts glossiness without making strands sticky or rock hard, and works on all hair types.



label.m Shine Spray, $3.95, available at label.m

Gentle yet effective, we saw this micellar water at virtually every station backstage. It melts away makeup in seconds, including mascara, and doesn't leave skin feeling greasy or stripped.



Garnier Micellar Water Sensitive Skin 400ml, $3.99, available at Boots

If Boots' own-brand cotton wool pads are good enough for international models, they're good enough for us. Soft, not scratchy, they won't leave your skin red raw.



Boots Cotton Wool Pads 100 pack, $1.85, available at Boots

Avène's Eau Thermale soothes irritated skin, primes skin for makeup and sets foundation in place.



Avene UK Eau Thermale 150ml, $8.5, available at Boots

The original and the best, makeup artists at Richard Malone and Emilia Wickstead primed lips with a slick of Chapstick to prevent creasing and dryness before applying lipstick.



ChapStick Original SPF 10, $1.29, available at Lloyds Pharmacy

Backstage at Hanger AW19, lead hairstylist Anna Cofone at The Wall Group veiled hair in this super strong-hold hairspray to keep the gravity defying looks in place. It might be industrial strength, but it's easy to brush out.



Fudge Professional Unleaded Skyscraper Hairspray, $8.75, available at Beauty Bay

At JW Anderson, makeup artist Lynsey Alexander sculpted cheeks by swiping this under the cheekbones and blending it into skin with a fluffy brush. "It's not bronzing, it's invisible shading," she told R29.



Kiko Cosmetics Sculpting Touch Creamy Stick Contour, $6.9, available at Kiko Milano

Yes, another sanitiser. But the alcohol-free credentials mean the foaming formula is kind on both skin and brushes.



Bentley Organic Antibacterial Hand Sanitizer, $3.5, available at Victoria Health

A staple in pretty much every makeup artist's kit, paw paw ointment is the solution to ragged cuticles, chapped lips, rough elbows, frizz and flyaways. Slicked over eyeshadow, it makes for an expensive-looking glossy eye, too.



Dr. PawPaw Tinted Ultimate Red Multipurpose Balm 25ml, $6.95, available at FeelUnique

At Ports 1961, Guido Palau spritzed Redken's Wind Blown 05 into the roots to achieve lived-in texture and volume while creating his effortless chignon bun.



Redken Wind Blown Dry Finishing Spray (250ml), $9.44, available at Mankind

Spied backstage at Rejina Pyo, this makeup sponge is a snip of the price of others, and blends makeup into the skin seamlessly. Just make sure it's slightly damp before you use it.



Glamher Booth Hour Glass Blending Sponge, $4.5, available at Beauty Bay

No-makeup makeup reigned supreme at JW Anderson, where MUA Lynsey Alexander patted lips with Kiko's Smart Fusion Lipstick in 401 (cashmere beige) and followed with shade 433 (light, rosy brown).



Kiko Cosmetics Smart Fusion Lipstick, $3.99, available at Kiko Milano

This moisturiser smooths away parched patches and provides just the right amount of dewiness under foundation.



Embryolisse Cicalisse Restorative Skin Cream 40ml, $8.99, available at FeelUnique

This is proof you don't have to splash out on a good nail polish remover. It does the job of lifting off colour without drying out nails or making them go flaky.



Superdrug Beauty Essentials Nail Polish Remover 250ml, $0.98, available at Superdrug

If your current micellar water just isn't cutting it, pick up this oil-infused version. MUA Pablo Rodriguez uses it to chip away at waterproof mascara, gel liner and matte lipstick. Give it a shake before use.



Garnier Micellar Water Oil Infused 400ml, $3.99, available at Boots

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Meet The French Fashion Brand With An Appetite For Sex

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You may have been intrigued by the small pop of erotica on an acquaintance’s otherwise unassuming white tee, terribly impressed but too shy to vocalise your admiration; or perhaps your 'ORGASM' scarf is the pride and joy of your wardrobe – you wore it out just yesterday, in fact, with a Christopher Kane 'More Joy' T-shirt and a PVC miniskirt. More likely though, your relationship with Carne Bollente, the 5-year-old French label anchored in sex positivity, is through social media.

"It started as a stupid joke," explain the founding trio, Hijiri Endo, Théodore Famery and Agoston Palinko. The name, which translates from the Italian as 'boiled meat' – simultaneously sexy and funny, they say – is a reference to the legendary porn movie The Rise of the Roman Empress( Carne Bollente is the film's original title). "We were looking for a name that could embody our sexual appetite, and this was stupid enough. Also our idol Cicciolina is the lead actress in the movie, and she embodies for us a positive and uninhibited vision of sexuality."

Photo: Courtesy of Carne Bollente

Beyond its Insta- and millennial-friendly aesthetics, a sex positive attitude is at the heart of Carne Bollente. "The subject is often seen as taboo or even negative, but we believe that talking about sex and sexuality should be more open and free. We think this is our job, to offer a simpler and more positive vision of clichés, archetypes and ideas of sex." As they explain over email: "Sex really is a huge subject and we are aware that there are still new ways and means of expression to explore. Also, sex and humour are rarely topics seen together; it's a shame and that's why we try to laugh about sex too."

Focusing initially on T-shirts – "the most universal garment and one of the best media for starting in fashion" – the founders joke that they "got cold" and expanded the label’s offering to include hoodies, jackets and accessories. Moreover, what began as a bit of fun has evolved into something more significant; this Pride post illustrates how the brand's garments can inspire meaningful conversation. "When we saw this, we were so touched, discovering we could make a great impact. Instagram is amazing for this, communicating to our fans directly."

For Endo, the business has most recently veered towards the personal, with his extended family modelling SS19 pieces for a project with Japanese site, Girl Houyhnhnm. "They actually love what we do!" he clarifies, when asked what his parents think of the label's designs. "At the beginning they didn’t take it seriously, thought it was a silly little project. Since we’ve been represented at famous stores, they started to feel a bit...proud? Especially when we collaborated with Undercover, my older brother and cousins were super excited. But I don’t think my 93-year-old grandma understands our illustrations."

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R. Kelly Survivor Reveals What Made Her Abuse Ordeal More Traumatic

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Last week, R. Kelly (whose given name is Robert Kelly) was charged with 10 counts of aggravated sexual abuse. For many survivors of Kelly’s alleged crimes, justice was a long time coming. In a new New York Times op-ed, a woman who spoke out in the Lifetime documentary series Surviving R. Kelly(aired in the US recently) shared just how long.

Lisa VanAllen was one of the women who appeared in the sex tape that was a key piece of evidence during Kelly’s 2008 trial. VanAllen was 17 when the group sex tape was filmed; the other person in the video was allegedly his 14-year-old goddaughter.

Ultimately, Kelly was acquitted on all charges when the second woman refused to testify.

VanAllen, who did testify, said that in addition to the trauma from the abuse she suffered she was also put through the wringer by people who called her character into question.

"Taking the stand was one of the most harrowing experiences of my life. I was barraged with questions for three hours, so much so I almost forgot who was on trial," VanAllen wrote. "I was belittled and embarrassed. I was dragged for bad things I had done in my past. I was called a 'streetwalker.' They wanted me to feel like trash."

Things did not improve after she left the stand; afterward, VanAllen said she was called "a liar, an extortionist, and the girl who had the threesome" by the public and the media.

Lifetime's documentary series helped get the voices of these survivors to the public. However, it's worth noting that it likely would not exist without Tarana Burke spearheading the #MeToo movement, and allowing women to finally feel free to talk about their experiences with sexual misconduct. It's worth noting that Black women, specifically, have historically not been believed when they come forward to share their own sexual abuse stories.

VanAllen's hopes that Kelly does not walk away from this trial a free man — again. "If convicted, [Kelly] could face up to 70 years in prison," she wrote. "More than 10 years after I nervously faced Rob in court, I know one thing: This will not end the way it did before. It cannot."

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Flushable Wet Wipes Are Finally Here & This Is Where You Can Get Them

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Wet wipes have become a modern convenience – a festival essential, a staple for new parents and a regular fixture in many people's beauty routine, but they're terrible for the environment – 93% of all blockages in UK sewers are caused by wet wipes wrongly deemed "flushable", according to Water UK.

So, wet wipes that are truly environmentally friendly have been a long time coming – and next month shoppers will finally be able to buy the first "fine to flush" wet wipes. Organic brand Natracare is launching tissue wipes that can be flushed down the loo without contributing to the UK's fatberg problem, the Guardian reports.

The wipes, which are both plastic-free and compostable, will be sold in Waitrose, Ocado and independent health shops.

Currently, many wipes sold as "flushable" in the UK don't break down quickly in the sewer system – some contain plastic or wood pulp despite carrying a "flushable" label, which is based on standards laid out by the European industry body Edana. "You’ll see on the supermarket shelves many types of wipe claim to be 'flushable'," Natracare says on its website, adding that – importantly – "water authorities don’t agree with these claims. The wipes might disappear from your sight but sadly they don’t break down, causing blockages that are costing UK taxpayers £100 million a year!"

However, the new "fine to flush" symbol, which was announced last month, is more rigorous, according to Water UK, which represents the country's water and sewerage companies. Water UK says its logo is more credible than Edana's existing standard because it can only appear on wipes that don't contain plastic – meaning they will break down and won't cause blockages.

Water UK's new symbol is considered a major boon to the fight against fatbergs, the congealed masses of fat, personal hygiene products and nappies that have been flushed down UK toilets. "We’ve all seen the impact of fatbergs, and we want to see fewer of them," said Michael Roberts, the chief executive of Water UK, referring to environmental damage including blockages and even flooding.

"Improving the environment is at the core of what the water industry does, and the new 'fine to flush' standard that we’ve created will make it easier for consumers to buy an environmentally friendly product instead of one which clogs up drains and sewers." Here's hoping more beauty brands follow suit soon.

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Why Emma Thompson Refused To Work For John Lasseter: "I Can Only Do What Feels Right"

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Emma Thompson has shared with the Los Angeles Times a letter she wrote to Skydance Animation's management in regards to her decision to step away from Luck after John Lasseter's hiring:

"As you know, I have pulled out of the production of Luck — to be directed by the very wonderful Alessandro Carloni," the letter began. "It feels very odd to me that you and your company would consider hiring someone with Mr. Lasseter’s pattern of misconduct given the present climate in which people with the kind of power that you have can reasonably be expected to step up to the plate."

Thompson went on to cite a number of reasons for her departure:

"If a man has been touching women inappropriately for decades, why would a woman want to work for him if the only reason he’s not touching them inappropriately now is that it says in his contract that he must behave “professionally”?

If a man has made women at his companies feel undervalued and disrespected for decades, why should the women at his new company think that any respect he shows them is anything other than an act that he’s required to perform by his coach, his therapist and his employment agreement? The message seems to be, “I am learning to feel respect for women so please be patient while I work on it. It’s not easy.”

Much has been said about giving John Lasseter a “second chance.” But he is presumably being paid millions of dollars to receive that second chance. How much money are the employees at Skydance being paid to GIVE him that second chance?

If John Lasseter started his own company, then every employee would have been given the opportunity to choose whether or not to give him a second chance. But any Skydance employees who don't want to give him a second chance have to stay and be uncomfortable or lose their jobs. Shouldn’t it be John Lasseter who has to lose HIS job if the employees don’t want to give him a second chance?

Skydance has revealed that no women received settlements from Pixar or Disney as a result of being harassed by John Lasseter. But given all the abuse that’s been heaped on women who have come forward to make accusations against powerful men, do we really think that no settlements means that there was no harassment or no hostile work environment? Are we supposed to feel comforted that women who feel that their careers were derailed by working for Lasseter DIDN’T receive money?"

Read Thompson's full letter here.

Original story published below on February 19.

Back in January, former Pixar and Walt Disney Animation Studios chief creative officer John Lasseter was hired to run Skydance Media despite his 2017 Pixar exit due to accusations of inappropriate behaviour. Now, actress Emma Thompson is dropping out of Skydance Animation film Luck in protest of Lasseter's hire.

A rep for Thompson did not have additional comment, but confirmed Variety 's report that Thompson dropped out in January after doing some early voice recording. According to The Wrap, the film is an animated comedy about good luck and bad luck, with Thompson voicing the head of the "good luck organisation." Thompson's casting had never been officially announced. Luck is directed by Alessandro Carloni and expected out in 2021.

When Lasseter left Pixar in November 2017 — in a move that was supposed to be temporary — he sent a memo to employees that was published by The Hollywood Reporter:

"It’s been brought to my attention that I have made some of you feel disrespected or uncomfortable. That was never my intent. Collectively, you mean the world to me, and I deeply apologise if I have let you down. I especially want to apologise to anyone who has ever been on the receiving end of an unwanted hug or any other gesture they felt crossed the line in any way, shape, or form. No matter how benign my intent, everyone has the right to set their own boundaries and have them respected."

Over a year later, CEO of Skydance Media David Ellison released a statement on Lasseter's hiring, telling Deadline, "John has acknowledged and apologised for his mistakes and, during the past year away from the workplace, has endeavoured to address and reform them."

As for the rest of the cast, voice actors have not been officially announced, so it's unknown if Thompson's decision will have any sort of larger ripple effect.

Skydance Animation did not immediately return Refinery29's request for comment.

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What Ivanka Trump Was Really Like In High School

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Long before she was an adviser to the President of the United States, Ivanka Trump was just your average teenage daughter of a billionaire, attending an elite East Coast boarding school. Although the Trumps are not necessarily known for their modest taste, a teenaged Ivanka actually seemed pretty normal, as depicted in a feature in Seventeen magazine from more than 20 years ago.

In the late nineties, conspicuous consumption wasn’t really a thing for the teenagers in the largely white suburban enclaves of New England. We walked on the backs of our oversized corduroy pants, chewing up the hems and if you were lucky enough to have a Patagonia fleece vest, it wasn’t unusual for it to be puckered here and there with cigarette burns. We probably thought we didn’t “care” about the way things looked, but really we didn’t understand the value of our clothing. Most had never gone without — without food, without security, without a steady supply of mail order fashion from J Crew, and LL Bean and everywhere else I was sure “rich kids” got regular delivery from.

And at Choate, I’m told, Ivanka was not much different. Boarding school in a small Connecticut town meant a carefully cultivated uniform of low-key but high end sweatpants, wool cardigans, and hiking boots. To be flashy would have been to expose yourself as different, and different was the very last thing any of the Choate students wanted to be. This was a place Ivanka could fit in. There were scholarship students for sure, but most everyone was wealthy and a lot of kids were VERY wealthy (Carl Icahn’s daughter was there the same time as Ivanka) and flaunting that would be tacky. Better to dress like at any moment you might be spending a few hours in the parking lot of a Dave Matthews concert or as if you were on your way from Spanish class to lacrosse practice (which you were).

The January 1998 piece, first reposted by the Instagram account @thankyouatoosa, run by Casey Lewis, profiles a 16-year-old Ivanka in her dorm room at Choate Rosemary Hall in Connecticut, which she shared with two other girls. "Some people might be surprised I'm a normal teenager," Ivanka, who is pictured striking a very '90s cool-girl pose on a small wooden chair, told the magazine. The 15-by-11 feet room is normal: Her wall is adorned with string lights, photographs of friends and family, and a poster of Marilyn Monroe's iconic skirt-flying-up photo. "There's a lot of random themes from movies," she said. There's a black-and-white Robert Doisneau poster, which she purchased on the street in France, above her bed.

Still, according to a classmate, while Ivanka’s clothes were mostly fleece and flannel, there were things about her that stood out. Ivanka had one of the original black, box-shaped Prada bags that would serve as an inspiration for Kate Spade and become so ubiquitous. Ivanka was nice. She had plenty of friends. She was a regular teenager, but still it seemed she believed she was exceptional. As in, an exception to the rules. She had a cell phone at a time when only movie stars had cell phones. And she had a car on campus, something literally no other student had. She and her parents had apparently argued that it was necessary for her to have the car because in addition to being a student at Choate, Ivanka also had a modeling career.

Getty Images

Sometimes she would argue with her dad on the cell phone. He wanted her to go to Wharton, as he did. She wanted to go to Georgetown to be with her boyfriend. In the end, Ivanka would spend a year at Georgetown before transferring to her father’s alma mater. Also — in what was surely a source of soul crushing embarrassment to teenage Ivanka — her father showed up to graduation in limo, greeting other students and parents as if any of them actually cared that he was Donald Trump, which meant something very different than what it does now.

It’s an interesting note that one of the most prominent photos adorning the walls is one of an 11-year-old Ivanka and her dad, President Donald Trump. He has his arms protectively on her shoulders as they both look off in the same direction. "That was the first night I met my agent," Ivanka, who at the time was a part-time model, said of the photo. "She asked me to stop by the agency in a few years." There's a mirror hanging on the wall, which Ivanka noted she has to "crouch" to see her face in since she's so tall.

And she made other concessions to her modelling career and her exceptionalism. Once after a holiday break, she returned to campus with a bruised and swollen face. For a week she wore her hair covering her face and told everyone she'd had her wisdom teeth removed. Whether this is a clue that Ivanka got cosmetic surgery in high school or she just had some severely impacted wisdom teeth is anyone’s guess, but the former would not be unusual for a rich prep school teen in the 90s — especially an exceptional one with a modelling career.

Although the room seems no different than that of any American teenage girl at the time, one can glean some insights into future Ivanka. Ivanka's image, much like a magazine spread, is perfectly curated. She grew up with unimaginable wealth, but her public persona (like her dorm) is that of a person who is almost implausibly down-to-earth. She wears immaculate designer clothes, but is never gaudy. She speaks with authority, but maintains a soft tone. She's an adviser to one of the most powerful — and divisive — men in the world, but still wants to be seen as relatable.

Ivanka, who grew up shuttling between multiple luxury residences, told Seventeen her unassuming dorm, with its austere furniture and plain, white walls, "probably expresses me best." It was a blank canvas, away from a demanding Dad, but in it she created a place where she blended seamlessly with the rest of the student body.

She added: "It's an atmosphere I created." But, it's more of a vacuum.

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Balenciaga's Demna Gvasalia: "I Didn't Start Appropriation"

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Demna Gvasalia, the designer behind both Balenciaga and his own label, Vetements, has a lot on his mind. In a wide-ranging interview with WWD, the man who popularised the 'ugly sneaker ' discusses the ongoing challenge of appropriation —and how he’s been a victim of it, too.

“It’s a big word everyone is throwing around left and right, but nobody really knows where it actually comes from and why. And that it’s not Demna who started this,” Gvaslia tells WWD, just ahead of Balenciaga's show in Paris. After the designer sent his take on Ikea's infamous blue shopping bag and airbrushed hoodies down the runway at Balenciaga, Gvasalia's inspirations have been called into question.

Whether at Balenciaga or Vetements, Gvasalia has been criticised for charging luxury prices for anti-luxury goods; as Business of Fashion put it, Gvasalia sells “working class brands and motifs to [...] rich consumers.” The designer acknowledges that he borrows and/or references obvious pieces of popular culture — but that it's a practice that began with French artist Marcel Duchamp, if not before. “I have discovered Duchamp by discovering myself in a way as [a] designer, because it explains to me how I work,” he said.

He also points out that Cristóbal Balenciaga himself recreated everyday ideas and motifs for haute couture. “It was a uniform of the poor that he turned into an icon for the brand,” Gvasalia said of the Vareuse, a loose shirt fishermen in Spanish villages wore, which Balenciaga transformed into short dresses for the runway. “I just wanted to point out that appropriation didn’t start as a concept in fashion with me,” Gvasalia explains. “I’ve just maybe modernised it in a way that’s understandable for my generation of consumers who I talk to. Because we grew up with the same values, the same interests, and I would call this the first Internet generation.”

Gvasalia says that his work has been appropriated, too; see all the imitations of the chunky Balenciaga Triple S after it came out in September 2017. He doesn't consider those shoes, by the way, to be 'ugly.' “It was really absolutely a proportional exercise of footwear, and not any kind of a gimmicky play with what was ugly or not ugly in shoe design...I’m not part of this ugly fashion. I never liked ugly stuff really.”

He adds of the divisive, now-ubiquitous sneaker: “I hate to see small feet visually. A lot of guys don’t like to have small feet,” he said. “To me, large shoes are more stable, and more masculine. Also, I believe when you create a new silhouette, the product succeeds.”

Yeah, like those Balenciaga boots, you know the ones that look like socks.

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What Does Rihanna’s Fashion Line Have To Do With Her Loud Album?

What Does Rihanna’s Fashion Line Have To Do With Her Loud Album?

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Last month, news broke that Queen Rihanna would be releasing something a little bigger than Fenty-branded sunglasses. The mogul is working with French luxury conglomerate LVMH to launch a fashion house under her name. It would be the first time LVMH has debuted a new label since Christian Lacroix in 1987. No word yet on an official launch date, but thanks to Business of Fashion, we do know how the brand is referred to internally.

“Now it appears that the venture — dubbed 'Project Loud France,' a nod to Rihanna’s fifth studio album Loud — is further along than it seemed,” BoF reports. According to filing a French accounting firm obtained, Rihanna is a 49.99% shareholder and brings more the $34 million of her own money to the venture. LVMH is majority stakeholder.

While we are happy to see that Rih & Co are already investing so much money into the project, the fact that the project is called “Project Loud France,” is especially exciting. Previous reports of the fashion line speculated a debut timed with an album. Is this a clue? Should we scour Rihanna's looks from the Loud album-era for what could be used as style inspiration?

When Loud was released (with the classic lead single "Only Girl in the World"), Rihanna championed the album, saying “Loud is, the word, the name of the album definitely reflects the attitude of it, it's really sassy and flirty and it grabs your attention and that's why I enjoy it. It takes you through a really really interesting ride. So colourful the album.”

“LVMH certainly knows what they're doing,” luxury analyst Mario Ortelli tells BoF. “They have one of the best platforms in the world in terms of design, marketing, distribution, supply chain. That’s why they’ll make the bet. But whether it succeeds will depend on execution.”

“Look at, say, Yeezy [Kanye West’s partnership with Adidas]... Because the name is separate from the designer who created it, it’s easier to get longevity,” says Ortelli. "While an eponymous brand, such as, say, Victoria Beckham, is embedded with the person...What will be the final name of the LVMH and Rihanna venture? Will it be Fenty? Fenty by Rihanna? Just Rihanna? Or something else? It will be interesting to see.”

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3 Breakout Hair-Colour Trends You're About To See Everywhere This Spring

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It's Friday night, and you're at the bar tapping your nails on the counter waiting for your next gin and tonic. Your eyes land on the girl standing next to you. Well, not so much her as her hair: bright blonde curls tossed over her shoulder that, to the untrained eye, would read as God-gifted or sun-bleached. But you know the truth: It's the work of a good colourist.

Even if you can't afford the crème de la crème when it comes to your salon — because hey, we're all on a budget — you can have that kind of enviable cool-girl colour, so long as you do your photo research and bring the visuals to your next appointment. To that end, we've rounded up the breakout hair-colour trends out of L.A. and NYC's hottest salons right now.

Whether it's white-blonde babylights, or face-framing copper brunette pieces, scroll through to find the colour that will have you feeling fresh and cool for spring — even as you wait on another drink for what feels like forever.

Bright Blonde

Bright, not-quite-platinum blonde will come back into continual rotation this spring, according to Linda de Zeeuw, master stylist at NYC's Rob Peetom Salon. "This spring, hair colour will be fresh and shiny, and we'll see a resurgence in bright blonde," de Zeeuw tells us. She explains that there are many different ways to take your hair a few shades lighter, even if you don't want to go double-process platinum. "Highlights and foilyage techniques are amazing ways to achieve this look and bring out the brightest blonde in the hair," de Zeeuw says says.

Photo: Courtesy of Rob Peetom Salon.

Light-blonde babylights look cool painted on top of naturally dark curls, and even more so when contrasted by a purposefully grown-out root.

Double-process platinum is undoubtedly a huge commitment, but if anyone can convince us to jump on board (with a bottle of Olaplex in hand), it's Vanessa Hong, with her bright, shiny lob and terracotta long-sleeve maxi.

As de Zeeuw explained, you can infuse white blonde into your hair via super-fine highlights. That said, no matter how light you go, it's vital to commit to a maintenance plan to keep the blonde tones fresh. de Zeeuw recommends stocking a colour-protecting shampoo and conditioner, like Davines Alchemic Silver line, and a repairing hair mask for once a week use. She likes the Davines Nourishing Building Pak, which you can buy on Amazon.

Copper Brunette

Another big colour trend for spring is going to be a warm, blended copper brunette, like a muted version of the fiery copper hair trend we've been seeing recently. Los Angeles-based hair pro Cherin Choi of Nova Arts Salon tells us she's been recommending the shade to all her natural brunette clients looking for a change. "I've found that copper highlights complement most skin tones and add a nice dimension and contrast to dark brown hair," she says. "If you have naturally dark hair and you're craving a change, copper and warm gold accents bring some lightness to your hair to get you one step closer to your summer colour."

You can take your copper-tinged highlights more red or bright orange in tone, depending on how drastically you want to contrast your brunette base.

Here, Choi shows us how to give your copper brunette more of a gold effect, another choice for those who want to accent their dark roots with a warmer shade somewhere between blonde and burnished copper.

Photo: Courtesy of Nova Arts Salon.

You can get wild with your blending by combining rich red with pale blonde strands and golden brunette face-framing pieces for a gorgeous multi-tonal effect.

Cream Blonde

Blondes are going both cool white and more yellow-tinged cream in tone, according to colourist Cassie Cohen of Sharon Dorram Color at Sally Hershberger Salon. "I love a soft, creamy blonde for spring," Cohen says. "For the most natural look, ask your stylist for ribbons of cream-toned highlights on the top layers, right where the sun would hit." The best part, Cohen tells us, is that the upkeep is pretty relaxed: highlights every 3 to 4 months, adding a gloss in between to refresh the shine and tones.

Photo: Courtesy of Sharon Dorram Color at Sally Hershberger Salon.

Colourist Morgan Parks tells us that a subtle cream highlight will be easier to maintain than an white blonde. "I find that this type of neutral blonde is a universal shade that works on every base shade, and gives a natural, warm glow to the hair without being super obvious," she says.

You can blend your cream blonde accents into just the ends of your curls for a look that reads like a warm gold tint, not a streaky blonde highlight.

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Alexandria Ocasio-Cortez, Who's Actually Worked For A Living, Just Fact-Checked Ivanka Trump

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Photo: REX/Shutterstock.

In her 2009 self-help book The Trump Card: Playing to Win In Work and Life, Ivanka Trump (or, her ghostwriter) recalls her first entrepreneurial venture: a lemonade stand with her brothers. She makes sure to point out that their parents didn't help them at all, and that their stand's location "at the end of a cul-de-sac in an affluent community of spacious homes on sprawling properties" kept them from having any customers. You almost begin to think that she understands what structural disadvantages are!

But then, Ivanka's hired help steps in to boost the business (heiresses, they're just like us). "As good fortune would have it, we had a bodyguard that summer, and it fell to him to watch us in an unobtrusive way whenever we left our front yard. That cast him as our target market, and by the end of the afternoon we got this poor guy to drink so much lemonade it's a wonder his bladder didn't burst. Just to keep us in business." Ah, good old-fashioned worker exploitation to maximise profits.

This childhood anecdote can help us understand Ivanka's recent interview with Fox News' Steve Hilton, in which she slammed the jobs guarantee in Rep. Alexandria Ocasio-Cortez' Green New Deal programme.

"You've got people who will see that offer from the Democrats, from the progressive Democrats, Alexandria Ocasio-Cortez: 'Here’s the Green New Deal, here’s the guarantee of a job,' and think, 'Yeah, that's what I want, it's that simple.' What do you say to those people?" Hilton asked Ivanka in the interview, which will air in full on Sunday.

"I don’t think most Americans, in their heart, want to be given something," responded Ivanka, who has been given every job in her life. "I’ve spent a lot of time traveling around this country over the last four years. People want to work for what they get. So, I think that this idea of a guaranteed minimum is not something most people want. They want the ability to be able to secure a job. They want the ability to live in a country where's there's the potential for upward mobility."

Hilton then asked her whether she thinks the 2020 election will be framed as a standoff between Trump's capitalism and the socialist proposals percolating in the left wing of the Democratic party. She non-answered in a typically Trumpian way: "America is doing very well and it stands in quite sharp contrast to the rest of the world. So, not only are we doing well, much of the world has slowed down in terms of the pace of their growth."

On Tuesday evening, AOC fired back at Ivanka. "As a person who actually worked for tips and hourly wages in my life, instead of having to learn about it second-hand, I can tell you that most people want to be paid enough to live," she wrote. "A living wage isn’t a gift, it’s a right. Workers are often paid far less than the value they create." She then cited data that shows just how much the gap between productivity and wages has increased in the past four decades. Meaning, we're working harder and making less money.

Here's a tip: Believe the woman who had to rebuild her whole life when her father passed away, and who was mixing drinks up until her Congressional run — not the one who starred in a documentary called Born Rich.

The Green New Deal, which AOC has helped bring from the fringes into the mainstream American conversation, is a sweeping reform that seeks to tackle fast-encroaching climate change and income inequality in the next decade. Some of its goals include achieving net-zero greenhouse gas emissions in the next 10 years, creating millions of green jobs, and upgrading to energy-efficient infrastructure. In an effort not seen since Franklin D. Roosevelt's New Deal in the 1930s, which completely transformed the country's economy, it includes an ambitious federal jobs guarantee, which ensures "a job with a family-sustaining wage, adequate family and medical leave, paid vacations, and retirement security to all people of the United States." All the Democratic presidential hopefuls, including Sens. Kirsten Gillibrand, Kamala Harris, and Elizabeth Warren, enthusiastically support the plan.

Meanwhile, Ivanka's solution for widespread inequality and crumbling infrastructure in America seems to be travelling around and participating in photo ops on fork lifts, wearing hardhats, and various other blue-collar cosplay. President Trump recently boasted that his daughter had created "millions of jobs," referring to the White House's Pledge to America's Workers initiative, when what her programme actually does is sign on companies to provide training opportunities to 6.5 million people over the next five years. Which is fine! But not exactly the large-scale plan we need as time is running out to address both climate change and inequality.

A living wage isn’t a gift, it’s a right.

And contrary to what Ivanka believes is in Americans' "heart," the majority of people are behind the Green New Deal. According to a recent poll of nearly 1,000 registered voters by the Yale Program on Climate Communication, 81% of voters said they support its proposals, including transitioning the US to using 100% clean energy and providing training for green jobs. The survey showed that 92% of Democrats, 88% of Independents, and even 64% of Republicans support the Green New Deal.

The 2018 National Youth Poll from the Harvard Kennedy School's Institute of Politics found that 56% of Americans ages 18 to 29, and 63% of likely young voters, support a federal jobs guarantee.

Sorry, Ms. I Turned Lemons Into Lemonade, the people have spoken.

It's not just that Ivanka is staggeringly, glaringly out of touch, considering she accrues millions just by sitting around. With statements like this, she's not just showing us her ignorance. She's fanning the flames of a culture war to win easy points with her father's base. She's also knowingly joining the right's mission to smear AOC for literally everything she does, and playing into an "evil socialists" narrative when people just want the opportunity to earn a living. We're not buying what she's selling.

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Greta Review: Why You Shouldn't Return That Subway Stranger's Bag To Them

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There’s a scene from Greta that’s been playing on a loop in my mind for weeks. You may have glimpsed it in the trailer — it’s the moment when Isabelle Huppert pettily throws a glass of wine to the floor, then proceeds to furiously overturn her table and marches towards the naive ingenue waitress played by Chloe Grace Moretz until she has to be physically restrained.

If only the rest of director Neil Jordan’s suspense thriller held up to that brief glimmer of compelling madness. The problem with Greta is that it both does too much and not enough. It never regains the campy absurdity of that climactic scene, nor does it sustain subtle tension and unease in service of a well-earned twist. It vacillates in the middle, never committing to one or the other.

But let’s back up for a second. When we first meet Frances (Moretz), she’s introduced as a new-to-New-York-City hopeful crashing with her spoiled former college roommate Erica (Maika Monroe, who sparkles in this less-than-worthy vehicle) in the Tribeca loft that daddy bought. Having recently lost her mother, Frances is adrift — her relationship with her own father is rocky; she objects to his new girlfriend — and in search of someone to give her some parental affection. So, when she picks up a woman’s purse left behind on the subway, she quickly returns it. The owner, Greta (Huppert), appears as a French sophisticate to Frances’ untrained eyes — she plays piano, makes soupe de poisson, and wears chic hats! But as the two become closer, it soon becomes clear that Greta’s motives are a lot more sinister than they first appeared. She’s evil.

Moretz and Huppert are convincing in their respective roles. The former oozes wide-eyed nice girl cotton-candy clouds of earnestness, so much so that it comes as a shock when we learn she’s supposed to be from Boston, and not some idyllic farm in Minnesota. What person who grew up in a bustling city would actually go out of their way to return a stranger’s belongings, instead of just handing it to the authorities? (Or, maybe I just watched too much Seinfeld as a child...) Still, that’s the vibe Jordan is clearly going for, and Moretz nails it. Her emotions are constantly brimming in her eyes, on the verge of spilling out in vulnerable tears at any single act of kindness. And yet, when Greta shows her true nature, it unleashes an inner strength that somehow meshes with what we’ve seen so far.

Huppert, on the other hand, plays the kind of crazy that only she can master. There’s something off about Greta from the start, a feeling that slowly builds until we, like Frances, get caught up on what’s going on. Once that happens, all bets are off. Huppert morphs into a cackling sprite of a stalker, someone who would be completely appealing to watch if the rest of the film could match her.

Another welcome performance comes from Monroe, who turns a walking rich girl stereotype into welcome and surprisingly nuanced comic relief.

This is a film whose parts are far more rich than the assembled whole. Just take the super extra moment when Frances cuts off Greta’s finger with a cutesie cookie cutter. That’s the kind of thing that turns a subpar thriller into quirky camp classic. But rather than leaning into that, Jordan instead veers into obvious, rote stops on the suspense roadmap. The first half of the film is the strongest — but it promises a lot and fails to deliver.

Still, there is something refreshing about a plot like this centring largely around three women, with no obvious love interest or sexual tension.

Ultimately, the film feels like a stylised wannabe Hansel and Gretel, only in this case, the witch is more keen on risotto than roasted children. And much like the gingerbread house from that story, it looks more appetising than it tastes — but that’s not to say you shouldn’t take a bite, say, for a drunk movie night with your girlfriends. If nothing else, it’s a good excuse not to do those inconvenient good deeds.

Greta hits UK cinemas on 19th April.

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R29's Entertainment & Culture Picks For March

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March is a big old month. Daylight saving is finally on the horizon and we can look forward to our days being longer and brighter. Relieved? Us too. As we muddle our way through the rest of the month, though, there are a few milestone days to have on your radar – Mother's Day, St Patrick's Day, Pancake Day and International Women's Day all take place over the next four weeks.

Peppered among these excuses for celebration, we've also got a load of noteworthy film, music and TV releases, of course. The Fab Five make their long-awaited return to Netflix, and the next chapter in (one of) Phoebe Waller-Bridge's critically acclaimed TV series has a brand new Monday night slot on BBC One. Elsewhere we've got Jordan Peele's latest horror masterpiece, new albums from some of the coolest women in music and the art shows your Instagram feed didn't know it was missing. Read on for our culture highlights to see you through to the beginning of spring.

Captain Marvel

Avengers fans, rejoice. The first female titular superhero of the Marvel universe is finally here, and she's about to save the world. Though we first learned of her existence at the end of Avengers: Infinity War, the film will take us back to the '90s to fill us in on her complicated origin story. By the looks of the trailer, there's a lot to uncover. How she got her powers, how she came to meet a young Nick Fury and who on earth Jude Law is meant to be playing are all set to be revealed. Safe to say, we're pretty excited.

In cinemas Friday 8th March

Little Simz, Grey Area

Between tours with Lauryn Hill and Nas, making music with Gorillaz and earning international acclaim from peers and critics alike, 25-year-old rapper Little Simz found time to create another LP. Grey Area is her third album and if there was a time to engage with Simz' unique, entrancing sound, it's now. Why? Because although she's already got a lot of brilliant music behind her, it feels like this record will launch her to the level of mainstream recognition that she should've been awarded last year.

Available Friday 1st March

Dorothea Tanning exhibition

The first large-scale exhibition of celebrated surrealist Dorothea Tanning is about to open at London's Tate Modern. Showcasing her breadth of work over the last 70 years, the show brings together 100 pieces – from paintings to sculptures, poetry to ballet designs – a third of which have never been seen in the UK before. Keep an eye out for her room-sized installation "Hôtel du Pavot, Chambre 202". Tickets are available on the Tate website.

At Tate Modern, London until 9th June

Derry Girls

They're back: five best friends living in Northern Ireland in the '90s, trying to navigate secondary school, parents and teenage angst against the backdrop of the Troubles. Brace yourself for more of the show's sincere nostalgia and hilarity as we rejoin Erin, Clare, Orla, Michelle and "wee English fella" James in Derry very soon.

Starts on Channel 4 on Tuesday 5th March at 9.15pm

Lana Del Rey, Norman Fucking Rockwell

Having teased new songs and mysterious lyrics on social media for a couple of months, Lana Del Rey fans will be relieved to hear that the singer's sixth studio album is just weeks away. Featuring already released tracks "Hope Is A Mysterious Thing For A Woman Like Me To Have... But I Have It", "Mariners Apartment Complex" and "Venice Bitch", the new LP promises to be everything you'd expect and hope for from a Lana album. If that's not enough, Lana revealed that she's looking to publish a book of poetry this year, too.

Available Friday 29th March

Fleabag

A series that needs no introduction, but we'll give you one anyway. Phoebe Waller-Bridge's play turned hit TV series about a hilarious, crass and self-destructive young woman is back. Instead of finding our #relatable protagonist online on BBC Three, however, you'll find her on BBC One every Monday night. The new series sees our protagonist muddling through the same sort of drama – sex, financial struggles, an awful stepmother – but this time with the addition of a priest. Yep, season two is Fleabag vs the big guy upstairs. We can only imagine how this is gonna go...

Starts Monday 4th March on BBC One at 10.35pm

Women Of The World Festival

The annual arts and science festival returns to the Southbank Centre for its ninth year and another celebration of the power and potential of women and girls. The lineup is always very exciting – there are talks, workshops and other surprises from some of industry's leading women. Friday's (International Women's Day) key speaker is Angela Davis while Naomi Klein headlines events on Saturday evening. Have a look through the full lineup on the Southbank Centre website.

8th-9th March at Southbank Centre, London

Us

This just might be my top pick of March 2019. The anticipation for Jordan Peele's directorial follow-up to Get Out has been insanely high, and the sneak peeks of his next film Us don't disappoint. We know very little about the plot, apart from the fact that Lupita Nyong'o and Elisabeth Moss both star. Lupita's character, Adelaide, and husband Gabe (Winston Duke) take their kids to their beach house but it's not long after they arrive before they realise that something very, very worrying is going on in the area.

In cinemas 22nd March 2019

Kaleidoscope

The Saatchi Gallery's next exhibition unites nine international contemporary artists for a striking new showcase. At the centre of it is a human-sized kaleidoscope. That's right. An actual, giant kaleidoscope that you'll be able to go inside and take pictures within. Named "Fata Morgana" and crafted by London artist Laura Buckley, the exciting installation is poised to take over many an Instagram feed. If you're not down with mirror distortion, though, other brill exhibitors include Florence Hutchings, whose abstract work is inspired by everyday, domestic life.

At the Saatchi Gallery, London, 15th March-5th May 2019

Dido, Still On My Mind

If someone were to say Dido, you wouldn't be blamed for flashing back to her iconic, yet harrowing feature on Eminem's "Stan" way back in the year 2000. But we're a long way from those days now, and the singer has a brand new body of work for the first time in five years. If Dido's latest single, "Hurricanes" is anything to go by, the tone of Still On My Mind will be immediately familiar – disarmingly soothing, despite her typically emotionally challenging lyrics.

Available Friday 8th March

Queer Eye Season 3

Let's be honest – we were all disproportionately concerned that Netflix would keep us waiting for the next season of Queer Eye but thankfully, the third instalment of one of 2018's most popular reality TV shows is back this month. This time around they're heading to Kansas City to deliver the makeovers of dreams to a fresh set of unsuspecting subjects. No, we can't contain our excitement either.

On Netflix from Friday 15th March

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This Clever In-Shower Trick Will Revive Dry, Frizzy Hair

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From regular colouring and harsh weather, to relying heavily on heated styling tools, there are many reasons why your hair might be dry, damaged and frizzy. But according to experts, the way you wash your hair has an effect on its appearance and manageability, too.

"Every time you wash your hair, even if you haven’t dyed it, there is always a process of damage taking place," explains Peter Bailey, Unilever's global technical manager. "When we look at a dry hair fibre, the cuticle edges are all flat, but in water, this fibre swells by about 30%." With normal hair, it’s not that much of a big deal, but with coloured or chemically straightened hair, it becomes one. "This is because the protein can escape," continues Peter, "which creates holes in the hair, and this is what causes the hair to break."

As well as breakage, this damage manifests itself in split ends, fluffiness and fast colour fade. You might already be on board with hot oil remedies and shine treatments, but according to Peter, your humble hair serum has the ability to protect and repair, even more so when used on dry hair pre-shampoo.

"Hair serum is usually seen as a finishing product," says Peter, "but it works well when applied before you wash your hair. Take a few drops in your hands, coat the surface and simply run it through. Some of the product will come out in the wash, but a lot of it doesn’t, and what isn't washed away stays within the cracks and smooths the hair surface. This adds a level of protection to the hair when you’re washing. I liken the hair strand to a scratched table. When you’re repairing it, you pile on the polish but you remove 99% of it, and what’s left plugs the gaps and leaves you with a nice polished surface."

Unlike the process of applying a conditioner before shampoo, an initial rinse isn't required when using a serum, so hair spends less time in water and therefore is less likely to swell and end up prone to damage. Whether you want to follow with a conditioner or a hair mask is up to you. "Applying serum before shampooing is especially useful if you’re worried about making your hair greasy after washing," Peter continues.

To prevent further in-shower damage, Peter suggests opting for a shampoo with a mild surfactant system. This doesn't mean sulphate-free, just less lather. Interestingly, Peter doesn't buy into the idea that sulphates are bad. "You’ll cause less swelling to the fibre if you have a milder system. Contrary to popular belief, gentle cleansers will take the grease off the surface. This isn’t so important when your hair is untreated, but if it is keratin straight or coloured, you have actually damaged the internal structure of the hair fibre." So opting for kinder shampoos can protect and prolong both colour and treatments.

It's also super important to towel dry as gently as possible. "As you towel dry, you’re chipping off the cuticle," continues Peter. "When hair is coloured, this is multiplied tenfold and it’s much more likely to cause damage. You’re not going to avoid washing your hair, as it’ll become dirty, but it’s all about going through the process in a gentle, caring way." R29 recommends investing in a towel which is going to absorb water and keep frizz on lockdown. Try Aquis Lisse Luxe Hair Towel.

And if your hair is curly, take hairstylist Larry King's advice and try not to touch it when drying. "The moment you start touching it is when it goes frizzy," Larry told R29. Simply tip your head upside down and let your hair fall into the diffuser. "I always suggest putting one hand in your pocket and letting the diffuser do everything."

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Money Diary: A 23-Year-Old On 38k Working In Finance

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Welcome to Money Diaries, where we're tackling what might be the last taboo facing modern working women: money. We're asking a cross-section of women how they spend their hard-earned money during a seven-day period – and we're tracking every last penny.

This week: "I’m a single, fresh-out-of-uni 23-year-old who took the first job I could to pay my exorbitant south London rent. I live with some friends and spent September and October frantically applying for jobs and burning through my savings to stay afloat. I am typically very bad with budgeting and tend to spend everything available until my overdraft bottoms out – usually prompted by a call from the bank rather than diligent monitoring of my account balance."

Industry: Financial services
Age: 23
Location: London
Salary: £38k
Paycheque amount: £2,219
Number of housemates: 3

Monthly Expenses

Housing costs: Base rent £785
Loan payments: Student loan, comes directly out of wages
Utilities: Around £150 (Wi-Fi, utilities, council tax)
Transportation: £30/week
Phone bill: £0 (love you, Dad)
Savings? About £400
Other: Yearly travel card, £1,648, is bought by work and comes directly out of my wages

Day One

10.30am: A late wake-up but probably not as late as I deserve, given my sleep deprivation. Have that foggy headache associated with staying in bed too long, which is disappointing since I deliberately declined any kind of booze the night before. Make a fat cafetière to disperse head fog.

12pm: Solicit housemate to buy a Sunday Times (£2.70), only to discard broadsheet and dive into Dolly Alderton’s column in Style. Cancel loosely held lunch plans as the desire to travel to Islington from Balham is too low (journey of just under one hour). Make brunch (lunch?) of fried mushrooms and spinach and soft boiled eggs (£3.60).

2pm: Housemate’s brother visits and, after long awkward pauses in the sitting room, resolve to go to the pub in order to endure each other’s company. Drink two Bloody Marys (£15), which is allowed on a Sunday anyway, and plan to do YouTube HIIT workout later to burn off.

4pm: Endure HIIT workout, co-suffering with housemate, nearly breaking floorboards with overzealous imitation of impossibly toned YouTube HIIT woman. I like to think doing these vids saves me circa £40/month in gym fees.

7pm: Pilfer housemate’s leftover tom yum as lack the will to cook. Also wolf down pack of Oreos and Christmas oversized choccy coin in a very anti-New Year, New Me move.

7.40pm: Head to pub quiz and fail miserably at nerd-oriented questions ( Star Wars? Football stadiums? Speed of light? Fuck off). Friend buys me overpriced craft lager as bar is cash only (the audacity of that). Accumulate debt of £7.85.

10pm: Go to sleep angry at stunning pub quiz failure, forgetting to remove makeup, thereby compounding frustration.

Total: £29.15

Day Two

6.40am: Awaken to dulcet tones of Radio 4 and ignore five successive alarms and drag self out of bed at 7.18am. Throw clothes on, remove makeup and run out front door by 7.25. Ouch.

7.55am: Arrive at work with five whole minutes to get flat white and porridge (provided by the work pantry) before hustling to my desk to be online by 8am sharp. I am typically very bad at being on time but working on it.

11am: Exhausted by intensive three hours of resolving client issues and receiving angry calls from sales reps. Run to pantry for another coffee and snaffle some dried fruit snacks to keep energy levels up for more irate German bankers.

1pm: I get exactly (strictly) one hour for lunch and I like to sprint for the front door and spend the whole hour as far away from my desk as possible. Many of my colleagues work through lunch but getting out of the office building is, for me, a matter of self-preservation. I take an angsty walk along the river with my earphones in then drop by Pret, buy a Thai red curry soup pot and baguette (£4) and read my book (Sally Rooney’s Normal People. If you haven’t read this by now then drop everything and just read it).

3.30pm: Take an indulgent 15-minute coffee break (again, pantry) with other new hires to complain about job/management/job performance metrics. Learn that other new hires have been staying a lot later than I to finish tasks. Resolve not to emulate other new hires.

5pm: Finish work and head for suffocating Northern Line. Read more Sally Rooney and fantasise about running away to rural Ireland, or going back to university.

6pm: Heat up preprepared stuffed mushrooms from Sainsbury's (£2), Diet Coke (75p).

8pm: Feeling empowered and emboldened by new series of Outlander, buy bright red cord work suit from Topshop online (£75). Resolve to ignore encroaching thoughts that red suit will pair badly with red complexion; choose to remain optimistic.

Total: £81.75

Day Three

7.05am: Roll out of bed, shower, dress and leave by 7.25. Smugness at completing this feat is evident to all Northern Line passengers.

7.55am: Feeling luxy and because it is my fave, I get standard flat white with sugar-free vanilla shot and two sourdough rolls, complete with Philadelphia spreadable and Nutella (work pantry). Start morning feeling buoyant.

10.30am: Very busy morning. Steal away to buy pack of Marlboro Golds, smoke two on the way back to the office (£12.45).

1pm: Out the door. Smoke more nasty dirty wicked ciggies by the river. Appetite suppressed, I settle for another coffee and pack of 'Ape' Thai flavour coconut and rice balls from the pantry.

3pm: Have joined a work group chat which sends out alerts when a fun afternoon treat arrives in the pantry. Today’s 'fun' is vegan energy balls which seem to be 95% desiccated dates.

6pm: Arrive home ravenous but somehow still take time to make Jamie Oliver trout, boiled egg and asparagus salad with hollandaise sauce. Ingredients pre-bought.

8pm: Do another HIIT and break more floorboards.

9pm: Eat housemate’s Green and Black's cooking chocolate as dying for sugar fix but lacking any fatty treats. Other housemate has friends over, enjoy solitary glass of champagne.

Total: £12.45

Day Four

7.10am: Rise, run out the door as per. Hump day, so feeling particularly grim; plus it is freezing this morning.

7.50am: Elect whole milk porridge with strawberry compote and almonds. I skip the coffee as my teeth have been gradually turning off-white.

11.20am: Desperate for coffee but resist, go for a Diet Coke instead, remember only afterwards that this is supposedly as bad for teeth as the flat white. Also manage to spill Coke down nice white Zara blouse.

1pm: They are serving lentil soup in the pantry so I take a cup but 20 mins later I’m starving, so pop to M&S and grab a ham and mayo sandwich (£3.45). Also go to Boots and get emergency tights (buy one, get one half-price, £9 for six pairs!) and splash out on a new foundation and blender sponge (£13.95). Carried by the buzz of self-improvement, book hair appointment for this evening.

4.30pm: Computer system crashes and takes a while to reboot. Seize opportunity to get a mocha from the pantry.

6.15pm: This is a new salon but came recommended by Google ratings. I was also familiar with the name of the chain so confidently agree to a £46 cut and style. My hair is bone dry as the result of an emotional crisis earlier in the year, whereby I let my housemate peroxide my hair. The £46 includes a deep-conditioning treatment which is very much needed.

7.40pm: Home, make a chicken thigh and broccoli stir fry with dark soy sauce, garlic, ginger and a splash of teriyaki sauce (£5.60). Order knockoff deep-conditioning balm off Amazon for £12.50.

Total: £90.50

Day Five

7am: Up early. Hair still looks gorgeous from style yesterday so I go whole hog and pick a nice outfit, do proper face of makeup, etc. Plan to ogle cute fella in the anti-money laundering team later today.

7.45am: Flat white, banana and Yeo Valley natural yoghurt from the pantry. Actually get time to eat it before the storm hits at 8am.

10.40am: Have started listening to Radio 4 through my headset at work. This is not strictly allowed but no one has noticed yet. Caitlin Moran is narrating chapters from her debut book, How To Be A Woman. Remember reading it as a teenager and it resonates with me as much now as then.

1pm: They serve mushroom soup in the pantry today, which is my favourite. The bread doesn’t look so appetising though, so pop out to little M&S for a poppyseed bun to accompany it (50p). Read more of very good book.

5.40pm: This is possibly the latest I have ever finished in this job and I do not wish to replicate it. Today's lateness is mostly due to waiting for coworkers to finish up so can go to pub.

6pm: My best work friend quit last week for greener pastures, so tonight he has organised leaving drinks. This turns out to be a messy misadventure (though very good bonding with team). I spend £32 on Negronis. Later we get pizza and I buy for everyone (don’t ask me why). £19.99

1.15am: Catch the last Tube home. When I roll in, housemate is still up, so I climb into bed with her and we talk rubbish for an hour or so. Dread the next morning.

Total: £52.49

Day Six

7.20am: It’s bad — an apocalypse of the mind and body. Somehow leave by 7.30.

8am: Late to desk so skip breakfast. At least coworkers look as bad as I feel.

9.30am: Get notification that pantry is serving 'detox' carrot, apple and ginger smoothies. I revive myself a little.

1pm: I really feel like something greasy but the Domino’s from last night is weighing in my stomach like a ton of bricks. Head to Leon and purchase Sicilian chicken meatballs box (£6.45), which is greasy without being too unhealthy.

3pm: The afternoon goes by paralysingly slowly. Members of the food internal group chat write extensively and in detail about the nostalgic foods of their childhood. Increasingly feel like I’m trapped in a Brechtian corporate nightmare world. They serve Victoria sponge in the pantry.

6pm: I go straight home and stop by Sainsbury’s to get fresh pesto and egg pasta (£5.80). Housemates are out so I make supper and spook myself by watching You on Netflix. Try on Topshop suit which looks predictably awful. Will send back at nearest opportunity.

9pm: Cancel plans with friends to go out in Brixton and decide to take an early night.

9.40pm: Harangued and harassed by aforementioned friends, agree to get in an Uber and join for pre-drinks. I bring a half-empty bottle of Waitrose gin left over from some party. The Uber is £10.40.

10.20pm: My friend’s sister has just been given an offer to study at my alma mater. She isn’t a big drinker (and is only 17) but we coax her into necking some vodka oranges. This whole affair is very jolly and I once again feel myself yearning for younger days, strung out on a university campus without a care in the world. After pre-drinks and failure to launch into an actual night out, I take an Uber home at a cost of £15.20 (bloody surge charge).

Total: £37.85

Day Seven

10.30am: Arise feeling groggy, partly because the heating has been left on and my room is hot and dry. Scour the kitchen to find no fresh coffee or breakfast goods. Head to Sainsbury’s for ground coffee and end up doing weekly shop. I am going out for dinner three times next week so I know I don’t need to plan many meals, so buy ingredients for parmigiana melanzane (aubergines, basil, tinned pomodoro tomatoes, mozzarella). Also get a copy of Cosmo. It all comes to £23.05. On the way home I pass a coffee shop I haven’t tried before so I get a flat white and a fried egg chapati (£5.60).

1pm: We had planned to go to Hampstead Heath today and potentially go for a dip in the women's pond. But members of the group are not replying to messages so this looks increasingly unlikely.

2pm: Walking plans looking decidedly cancelled, I go for a run around the common instead. When I get back I realise my favourite running leggings have a hole in them, so immediately purchase a replacement pair for £16.50 from ASOS.

4pm: Head to friend’s house for Burns Night dinner and drinks. This begins at the pub (two large glasses of house red, £14), followed by the purchase of a nice-looking Pinotage from Sainsbury’s (£8). The evening culminates in a singalong to the Outlander theme tune, and I fall asleep on the sofa by 2am.

Total: £67.15

The Breakdown

Food/Drink: £170.14
Entertainment: £2.70
Clothes/Beauty: £160.45
Travel: £25.60
Other: £12.45

Total: £371.34

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Love Staud's Cult Bags? Take A Look At Its First Shoe Collection

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LA-based label Staud has garnered cult status since it was founded back in 2015 by the hugely influential Sarah Staudinger (who cut her teeth at Reformation) and George Augusto. Whether you know it or not, we'll bet your style choices are being inspired by the brand's aesthetic, all statement-making architectural bag shapes and kitsch ready-to-wear line.

Its Shirley PVC mini tote, Moreau macramé bucket and rotund Bisset bag have been imitated by a slew of high street retailers and seen on the arm of every editor and influencer worth their salt, not to mention the brand's 197k Instagram followers (and counting).

To our delight, for SS19 the brand is introducing its debut footwear line, launching exclusively on Staud and Net-A-Porter. For those squealing with glee at the return of the '00s aesthetic – brimming with homages to Carrie Bradshaw 's SATC wardrobe – Staud's inaugural collection is pure nostalgia-tinged heaven: think wedged mules, strappy French heels and thong sandals in a slew of shades and textures.

"We wanted to offer versatility and bang for your buck when it comes to shoes that make a statement for every day," says Staudinger. "Nothing is too high, everything is comfortable, practical and you can dress it up or down. That’s a huge part of our brand identity across the board, with bags and ready-to-wear – and now shoes."

Like its contemporaries Rixo, Ganni and Cult Gaia, Staud has captured the hearts of sartorially switched-on women everywhere due to its cutting-edge design and affordable price point. Gone are the days when you had to save a month's rent in order to carry the bag of the moment; now, our favourite accessories start at £160 and see you through every event of the season.

Starting at £175, Staud's footwear offering has us dreaming of warm city nights and seaside breaks; we'll be wearing ours with cropped fine-ribbed cardigans, silk camisole dresses and, naturally, the brand's croc-effect Alice and Sadie totes. Race you to the checkout.

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My One-Bedroom Flat In Clapton Cost £267,000 & Here's What It Looks Like After Renovation

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After meeting my partner Daniel, we rented a one-bedroom flat which was perfectly located in the middle of rapidly gentrifying Dalston. It was affordable, even on our comparatively low salaries at the time: I was working as an assistant fashion designer and Daniel was retraining as a carpenter after previously cutting suits on Savile Row. We moved after four years, when I relocated to Paris for work. When we returned to London a couple of years later, we discovered that property prices and rental costs in south Hackney had gone through the roof.

We became determined to try to buy our own place as we knew that monthly mortgage repayments would be lower than rent, and we figured that with Daniel’s technical skills and our hands-on approach we could find an inexpensive flat and renovate it affordably, increasing the value of the property while creating a truly personal space we would love to live in.

Over the following 12 months we camped out around London with accommodating family and friends, paying mates' rates rent and saving up. Over the year we lived in a friend’s storage unit, the basement of my stepsister’s doer-upper, and a makeshift camper van built from reclaimed doors, parked down a Dalston alleyway; we were living out of backpacks.

Daniel’s parents kindly lent us money towards our deposit, without which we would never have been able to buy. We had a maximum budget of £300,000 but we also knew that if we did max it out we’d have no cash left to renovate, so we ideally needed to find a property substantially cheaper.

We were also dead set on the idea of renovating an ex-council flat. My sister was living as a property guardian in council blocks around east London that were awaiting demolition. She moved on every few months as the blocks were knocked down, and whenever we visited her we couldn’t believe how spacious and airy they were compared with new-build flats. Ceilings were higher, rooms and windows were larger, the materials and construction techniques used were solid and high quality. We loved that the unfussy aesthetics and mid-century heritage of these flats could provide a blank canvas for our ideas.

Initially we imagined ourselves living high up in a brutalist concrete tower block but were quickly overruled by estate agents who explained that mortgage providers won’t normally lend on properties over seven storeys high – high-rise flats are generally only available to cash buyers.

Most estate agents also told us that despite seeking an ex-council flat in need of modernisation, we were more than priced out of Hackney and they had nothing for us to see. We viewed several properties around Walthamstow, but we really missed the idea of being able to walk or easily cycle to work, which we both agreed was high up on our priority list and integral to the quality of life we were looking for. We also wanted to live as near as possible to an expanse of green space, as we both love spending time outdoors and were planning to get a dog.

When I first moved to east London a decade earlier, Clapton was still a little rough and ready. However, over time, as we visited and house-sat for friends living in flats and boats around the River Lea, we began to fall for the area. We adored the barely occupied wilderness of the river and marshes, stretching endlessly northwards out of London, as well as the intermingling of orthodox Jewish, Caribbean and Turkish residents, hanging out in Springfield Park alongside committed boat-dwellers from the marina.

When we spotted an ex-council flat on sale in Upper Clapton for a starting price of £250,000, we leapt at the chance to view it. The leaseholder had been renting out the property for several years and now needed to sell quickly. For this reason, the flat was selling via sealed bids. We initially won with a bid of £272,000 – we’d gone in fairly high as we knew the place was right for us and didn’t want to lose out. We later succeeded in negotiating down to £267,000, following a valuation from the bank.

Besides the location, we were attracted to the flat’s original features – large, wooden-framed windows and red-brick internal walls – and immediately saw the potential to remodel the layout and create an open, modern living space. Although the flat was technically one-bedroom, at 55 square metres it was equal in size to a two-bed starter flat in a new-build development. And although not the high-rise we’d originally had in mind, the third floor elevation gave us views across the city, even as far as the London Eye.

The renovation process took much longer than we thought and was painful at times. Firstly, there was bureaucracy to deal with: we had to apply for permission from the freeholder before making major changes. There were also some aspects where it was important to hire certified professionals for insurance purposes, for example the boiler replacement and electrics. After moving in, it took six long months of administration and organisation before we had the right paperwork in place to get started.

Aside from the boiler and electrics we elected to do as much work as possible ourselves in order to save money and avoid compromising on our ideas. Although this made our renovation journey much longer and more difficult, it also enabled us to explore plenty of exciting and unusual design and construction techniques, and execute everything exactly as we wanted. We both acquired tons of new skills and knowledge along the way. It’s probably worth pointing out that Daniel, as a registered tradesperson, has public liability insurance, without which we would not have felt as confident taking on as much as we did.

We both worked on the renovation alongside full-time jobs, sacrificing most of our weekends and holidays. Despite our efforts the process seemed achingly slow and there were moments when it felt like a massive weight on our shoulders. We watched enviously as friends got builders in and were WhatsApping photos of their gorgeous finished flats in a matter of weeks. However every small achievement made our space a little more special and more liveable, which gave us the encouragement we needed to carry on.

Room by room we reduced the flat to a shell – removing the entire original heating system and most of the electrics, as well as the bathroom, kitchen and flooring. We demolished the non-structural walls of the hallway and utility room to create an open kitchen/living space, and levelled the floor. We lived in the flat throughout the yearlong process, escaping only once for a fortnight’s house-sitting, which I remember as a huge relief. It was incredibly difficult at times, living without the basic facilities for washing, cooking – even for going to the toilet. I showered at work for a month and we spent an hour or two every week at the laundrette. As if it weren’t testing enough, my sister moved in partway through to camp out with us in our building site.

Eighteen months after moving in, we’d finally created a liveable environment with a functioning bathroom and kitchen; it took us a further year to install central heating. Although the major work is now wrapped up, three years down the line, we still have some way to go before we’ll feel satisfied that the flat is finished.

We've aimed to use natural and, wherever possible, reclaimed materials to renovate the flat. This isn’t the cheapest or easiest option, however the money saved through doing the labour ourselves compensated for the material cost of reclaimed granite floor tiles and oak parquet blocks. We’ve invested time and elbow grease in restoring the flat’s original features, scraping layers of paint from wooden window frames and brick walls to make the most of the materials already present in the property.

I’m most proud of our kitchen, which is based around a reclaimed stainless steel restaurant sink with a huge draining board. Daniel made solid wooden cupboard doors to fit beneath the steel commercial units. We matched these with a steel Indian kitchen rack and hand-fired Mexican tiles, so there’s a repeated contrast between industrial and rustic materials.

Our flooring is also pretty special. We’ve left the parquet blocks un-sanded for now and they are charmingly mismatched – we can decide whether to sand and oil them at some point in the future. In the kitchen area and the bathroom, the oak parquet gives way to 1950s multicoloured terrazzo tiles.

In the bathroom we designed a long, narrow walk-in shower to fit the small space. Constructing this together was the ultimate test of our relationship – we fired plenty of foul language at each other while trying to slot a gigantic pane of glass into a floor-to-ceiling wooden pillar.

Because of the minimal interior structure of the flat, we’ve also chosen to expose sections of plumbing and electrics using copper pipes and steel conduit, which looks great and makes construction more straightforward. We’ve stripped and re-enamelled the original radiators in bright colours which pop against the pale grey walls.

Renovating in a block of flats can be challenging: it’s essential to work only within regulated hours, keep disturbance to a minimum, and communicate your plans to your neighbours. Understandably our neighbours below, who were at home during the day, found some of the noisy work we did early on really difficult. We made sure to stop working whenever we were asked and tried to find times when it was okay for us to complete noisy tasks.

I think some of our friends and family are a bit confused as to why we’ve poured so much time and energy into such a small flat which might not have longevity for us – and why it’s taken so long! Despite the bumpy journey, the satisfaction of having created our own space and everything we’ve learned along the way has been a reward in itself. Living in a city like London, we’re all so used to outsourcing everything as we understandably place huge value on our free time. For us, trading in some of that time and freedom has enabled us to build our perfect space and gain a new set of skills and confidence to go with it. The teamwork has strengthened our relationship and we’ve always made time to clock off for a glass of wine and a pizza to celebrate our accomplishments at the end of a hard day’s work. It’s certainly not the right path for everyone, but for those who have some of the skills required, I’d definitely recommend taking the slow route and creating your own unique home.

What are you waiting for? Discover your dream property on Rightmove.

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A Migrant Woman Had A Stillbirth In ICE Custody. Officials Won't Call It A Death.

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On Feb. 22, a 24-year-old Honduran woman who had been detained by U.S. Customs and Border Patrol (CBP) and was in the custody of Immigration and Customs Enforcement (ICE) went into premature labor at 27 weeks pregnant and delivered a stillborn baby, according to a joint statement by both agencies released Monday.

According to the agencies, the woman, whose name is being withheld, was detained near Hidalgo, TX on Feb. 18. She was being processed for release when she began complaining of abdominal pains. She was examined by ICE Health Service Corps and before emergency responders could arrive to take her to the hospital, she delivered the stillborn male infant at the Port Isabel Detention Center.

ICE has denied any culpability in the incident, saying in a statement that, "Although for investigative and reporting purposes, a stillbirth is not considered an in-custody death, ICE and CBP officials are proactively disclosing the details of this tragic event to be transparent with Congress, the media, and the public."

This policy seems at odds with the stance taken by President Donald Trump, who has made clear that the administration's position is that "life begins at conception." In his most recent State of the Union address, Trump used graphic and incorrect language to describe abortion, vowing to protect the "dignity of every person." Other than his oftentimes cruel, tough on immigration crusade, Trump's commitment to being the most "pro-life" president is the platform he has been most consistent on. One is left to wonder why the delivery of a stillborn baby by a migrant woman in ICE custody was not considered an in-custody death.

Nancy Cárdenas Peña, director for state policy and advocacy in Texas with the National Latina Institute for Reproductive Health, told Refinery29 in an interview Tuesday that this is just another example of the anti-choice movement being selective with their narrative. “They get to pick and choose what is most convenient to their argument,” she said of ICE not recognising the woman’s stillbirth as a death. “When you’re talking about a woman who was six months pregnant when she entered [the detention facility] and had every right to have her child, was trying to sustain that pregnancy and then was incarcerated … there should be some focus and some attention to actually clarifying what exactly constitutes an in-custody death or not. This was still an abhorrent violation of a person’s human rights. They robbed that person of sustaining a healthy pregnancy by incarcerating them at their own discretion.”

Cárdenas Peña, who has worked directly with the detention centre where the woman was held, said that conditions in these facilities regularly lead to health issues, especially among pregnant women. "There is no conducive way to be incarcerated and be healthy or sustain a pregnancy within incarceration, especially inside a detention centre," she said. "We hear about folks being shackled. We hear about negligent maternal and prenatal care and this isn't the first time someone has endured something like this … they tell us they’re providing excellent medical care and then stuff like this happens"

She noted that ICE policies and directives are often cloudy and contradictory and that the woman could’ve been released immediately under the agency’s discretion. In December 2017, ICE implemented a policy of detaining pregnant women not yet in their third trimester. Under the Obama administration, pregnant women could not be detained except for rare occasions. “Even though they set up specifics for what kind of folks who are pregnant, at whatever stage may be detained, it's seldom followed through,” Cárdenas Peña said. “They have the discretion to let people go and there was no reason this woman was incarcerated in the first place.”

This is the third death of a minor in immigration custody in just a few months. In December, 8-year-old Felipe Alonzo-Gomez and 7-year-old Jakelin Ameí Rosmery Caal Maquin — both from Guatemala — died while in the custody of U.S. Customs and Border Protection. BuzzFeed News previously reported on migrant women who say they miscarried in immigration detention being shackled and denied proper medical care.

As of this writing, President Trump has yet to address the migrant woman's stillbirth but has railed against Senate Democrats voting against an arcane abortion law, tweeting, "If there is one thing we should all agree on, it's protecting the lives of innocent babies."

“This is not just an immigration issue, it's a reproductive justice issue,” Cárdenas Peña said.

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Here's Everything We Know About BritBox, The UK's Rival To Netflix

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ITV and the BBC have today announced plans to launch their very own streaming service in the second half of 2019. The name? BritBox.

The platform, an attempt to emulate the success of Netflix, will provide paying viewers with the "biggest collection of British content available on any streaming service". It will also commission new shows from British production companies which will be exclusive to BritBox.

"I am delighted that the BBC and ITV are working together on something truly special," said BBC Director-General, Tony Hall. Carolyn McCall, the CEO of ITV added: "BritBox will be the home for the best of British creativity – celebrating the best of the past, the best of today and investing in new British originated content in the future."

They won't confirm pricing at this stage but say it will be "competitive". Both companies anticipate other partners will join BritBox further down the line.

Although you might not have heard of it, BritBox actually already exists in North America, where it's doing better than originally expected, with over 500,000 subscribers.

Many people in this country however, aren't impressed by the thought of an extra fee.

Yet more are frustrated at paying more money to the BBC on top of the licence fee.

Others explain that paying a licence fee doesn't extend to future ownership of a programme (after all, you're paying Netflix now to watch older Louis Theroux, an OG BBC show).

Over the past few years, many British shows have experienced a second wind after being streamed on Netflix; the BAFTA-winning Three Girls (originally airing on the BBC in 2017), which dramatised the Rochdale sex abuse scandal is currently trending, as are early seasons of ITV's hit Nicola Walker-starring detective show Unforgotten. Presumably, once BritBox launches, this content will be available via that platform alone.

So what do you think – will you sign up for BritBox?

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